Category: Archive

  • The Light Ekphrastic publishes 2 poems by JC Sulzenko

    JC is very pleased that Jenny O’Grady, Editor and Publisher of The Light Ekphrastic (TLE), chose her to collaborate with Baltimore artist Leah Michaels for the August issue of the online journal.

    The journal exclusively publishes ekphrastic collaborations.

    JC is no stranger to TLE and welcomes the opportunity to write in response to works of art and to have her work interpreted by artists who use various media.

    In “Recessional,” JC offered a poem originally written to incorporate words from a poetry challenge. Leah Michaels chose to create an image related to memory, relationship, language, and ruins in response.

    In “I must bury sorrow,“ JC writing as A. Garnett Weiss, used the cento form and lines from Robert Browning to respond to Leah’s image of The Angel of Grief by 19th century US sculptor William Wetmore Story.

    Here is the link to their work to cut and paste into your browser:

    Michaels & Sulzenko – August 2019

    JC thanked Leah Michaels and Jenny O’Grady for the chance to let art influence her poetry and for her poetry to influence art in such a forum.

    “I find great joy in writing ekphrastic poetry,” JC admits. “I feel enriched by each experience.”

    Working together, JC and writing partner Carol A. Stephen have developed a full collection of ekphrastic poems written collaboratively, some of which have been published. All they need now is a poetry publisher to help these innovative intepretations reach a wider audience.

  • JC wrote Poems To-Go at the Birds and Bees fundraiser for the Prince Edward Point Bird Observatory (PEPtBO)

    Poet JC brought her impromptu poetry-writing to the Birds and Bees Fundraiser on Saturday, July 27 during two, 90-minute time slots.

    For a $10 fee, she interviewed willing nature enthusiasts and turned what she learned into a poem with a minimum of 3 lines, which the buyer received in file form after the event. All proceeds benefitted PEPtBO in Prince Edward County, Ontario.

    Use this link to access a poem JC wrote in response to a commission at the event by Tamara Segal:

    “This tailored poem is a mini-version of the services I provide when I write poetry on commission,” JC explained.

    JC only writes on subjects within the bounds of public discourse. There are no returns, and the copyright for each poem stays with JC.

    “I just can’t resist the challenge: writing to a subject not of my choosing, suggested by someone whom I didn’t know beforehand, for the most part, to mark a birthday, an anniversary, a special event or person, or in memoriam,” JC admits. “That is why I launched “BESPOKE POETRY” to give me the chance to create new poems or poems to-go this way.”

    JC began her love affair with poetry written on demand many summers ago at a showcase for artists, crafts people and assorted others in her neighbourhood. Wearing a lot of sunscreen and with paper pad and pen, she set up a table and offered to write poems for visitors at $2.50 each, the proceeds of which went to a charitable organization. She cannot remember to which one the modest take went that first year.

    Though not a big fundraiser, JC found the experience exhilarating. “I used a number of the poems written at that festival in “Fat poems Tall poems Long poems Small,” my ekphrastic book of poems for families and children to which Ottawa artists contributed interpretative illustrations.” Several other poems found their way into chapbooks.

    For a couple of years, JC returned to the venue. Each year, the price tag went up by a bit. The final year of her participation, she raised funds for a local hospital.

    Then she stopped, overtaken by other writing projects including “Boot Crazy” and later by “What My Grandma Means to Say,” her book and play about Alzheimer’s disease.

    Now she has taken up poetry on commission again with enthusiasm. The process begins with agreement on a base price for the poem, which can take the form of free verse or rhyme. The ‘buyer’ pays JC upfront. Then, there’s an interview which can take as little as 10 minutes over the phone or up to an hour face-to-face, where that’s convenient to the parties.

    JC considers carefully what she has learned about the subject and writes the poem within the timeframe agreed to in the discussions. The length of the poem can vary depending the subject matter. Once she’s satisfied, she shares the poem and asks for comments as to accuracy only. If there are any factual inaccuracies, she corrects them and then provides a final text.

    She asks that the poem not be published without her prior permission and then only with clear acknowledgment as to her authorship.

    “I have written about a granddaughter’s graduation from high school on her birthday, the death of a child, a dog who dreams. It’s such an adventure, never knowing where a new poem will begin or to where it will take me.”

  • New Bookends Review: “Suzanne” by Anais Barbeau-Lavalette

    JC is back in book review mode at long last.
    Go to Bookends on this website to read her take on the novel, “Suzanne”, a 2019 CBC Canada Read’s selection, to which she gives an unusual 8/10 score.

  • JC read her winning cento at Art in the County

    The Prince Edward County Arts Council’s inaugural Wind and Water writing contest gave JC the opportunity to submit her cento, “Sacred place where each thing speaks itself” for consideration. JC writes centos and found poetry using her pseudonym, A. Garnett Weiss.

    She read the poem, which won the competition, during the Picton Art Crawl on Thursday, June 27 at the Art in the County exhibition.

    JC thanked the jury for selecting her poem. “The cento is a poetic form which gives me great pleasure to write. It’s like a puzzle when I choose and use lines from the fine work of other poets from many eras to create a completely new work which both respects the original material yet takes its own path.”

    JC’s centos have been successful in many contests and appear in a number of anthologies. Her lyric and narrative poems appear in “South Shore Suite, Poems.”

    Information on the Suite is available from the publisher, www.pointpetrepublishing.ca.

  • JC’s suite of poems for children takes 1st place in the WrEN Award for Poetry

    JC is delighted that the poems she submitted to the 2019 Writers-Editor’s Network WrEN Award for Poetry took first place in the poetry for children category.

    JC had put forward 5 poems from her suite, “Pelican Circus,” also the lead poem. The other titles were: “The Pelican and the pirate”, “In the Everglades”, “Signs and Wonders “, and “The Rescue.”

    Here is a the link to the announcement: https://www.writers-editors.com/Writers/Contests/Winners/winners.htm .

    The reason for the award? “Strong observation, skilful use of description and environmental awareness mark these poems.”

    In addition to the comments posted there, Judge Mary Harwell Sayler wrote JC a letter in which she noted the following: “I appreciate your introducing a sense of story… Poems often excel when they help readers to ‘be there’, which your poetry certainly does.”

    She added, “This type of writing will surely help young people to care about nature, and, hopefully, become actively involved in positive ways throughout their lives.”

    JC thanks Judge Harwell Sayler and the Writers-Editors Network for honouring her work with this prize .

    “Now all I need is a publisher to come forward so that children and families can enjoy the whole suite of poems which follows a child from the North country on his first visit to the south in winter.”

  • JC appears on 99.3 FM radio on Father’s Day and at Arts Crawl with a poetry reading on Thursday, June 27

    Just after the June 16 Sunday noon news, JC recommends a book that influenced her as part of a panel on Lynn Pickering’s The County Writes…The County Reads, 99.3 FM Prince Edward County.

    Sworn to secrecy until the big reveal, JC welcomed the opportunity to hype her selection as a book from which every Canadian would draw benefits at many levels.

    Selecting one title proved challenging. She almost chose Jane Austen’s “Pride and Prejudice,” a book she revels in rereading. She also found it difficult to resist Anne Lamott’s “Bird By Bird,” which she considers one of the best primers on how to let oneself develop a writing process that is satisfying.
    Tune into the show. Here’s a link: https://www.facebook.com/993CountyFM

    On Thursday, June 27 JC joins in Arts Crawl festivities with a reading at the Armoury in Picton, Ontario at 6:30 PM.

    The Prince Edward County Arts Council held its inaugural Wind and Water Writing Contest, which JC won. JC will read the winning cento, written using her pseudonym A. Garnett Weiss, and a selection from her debut collection, “South Shore Suite…POEMS,” from Point Petre Publishing (www.pointpetrepublishing.ca)

    Here’s a link to the FB posting from the Council about the event and the Crawl around town.
    https://www.experiencepicton.com/picton-art-crawl?fbclid=IwAR3Kh_BYE7_7jR01jx3OxTP1I6_N6jbYqxfS39qlSOX50naYTd5eA-vUaGs

  • First prize for “Sacred place where each thing sings itself” by JC Sulzenko writing as A. Garnett Weiss

    JC is very pleased that her cento “Sacred place where each thing speaks itself” won first place in the inaugural Wind and Water Writing Contest convened by the Prince Edward County Arts Council. She writes found poetry and centos using the pseudonym A. Garnett Weiss.

    This is how the Arts Council website describes the Jury’s rationale for selecting “Sacred place where each thing speaks itself”:

    “The winner was chosen from dozens of entries in a wide variety of genres, yet Sulzenko’s piece stood out for eloquent use of imagery, a clear and confident voice, and unique line breaks that made for a stunning and powerful read. Sulzenko’s creativity perfectly captured our theme of Exploring, creating an image that speaks to anyone familiar with the County and nature itself. JC Sulzenko has published poetry widely, in national and local award and has published in many other literary magazines.”

    JC thanks jury members playwright Marianne Ackerman, publisher Leigh Nash of Invisible Publishing, and writer Sarah Selecky for choosing her work and local author Kelly Thompson for short-listing the poem.

    Here is the link to the Council’s site, where the cento is posted:
    https://countyarts.ca/wind-water-writing-contest/

  • Poetry collection “For the Birds” launched in Picton, Ontario on May 11, 2019

    County readers and nature enthusiasts celebrated the release in print of the Prince Edward Point Bird Observatory’s 46-page, full colour poetry chapbook “For the Birds,” first published on its website in January, 2019.

    The collection of 20 winning poems written by 17 poets from the County and away and complemented by fine images taken by local photographers Ian Dickinson and Hélène Tremblay came together as a result of the Observatory’s first poetry contest. Poems by County writer and publisher Brian L. Flack and by Walter H. Watt of Richmond Hill shared first place in the contest.

    As part of PEPtBO’s May 11- 20 Spring Birding Festival programming (www.peptbo.ca), this special event included the awards ceremony and readings by poets whose work appears in “For the Birds.” Prince Edward County Public Library CEO Barbara Sweet welcomed the poets and friends to the launch and spoke of the value of the relationship the Library enjoys with PEPtBO. PEPtBO Vice-President and Municipal Counsellor John Hirsch awarded prizes to the winning poets.

    Copies of “For the Birds” @ $12 each are available at the Observatory during the festival, from PEPtBO’s online store and at Books and Co. and the Local Store in the County. Net proceeds from the sale of each chapbook benefit PEPtBO’s migration monitoring and reporting work at the County’s South Shore.

  • JC attended the May 14 awards ceremony for the National Capital Writing Contest (CAA, Ottawa Branch)

    JC congratulated the finalists at the May 14 Awards ceremony in Ottawa. Here’s the link to the Canadian Authors Association (Ottawa Branch) announcement of winning writers and poems.
    http://canadianauthors.org/nationalcapitalregion/contests/ncwc/

    JC felt honoured to judge the poetry entries in this year’s writing contest. “I recognize how idiosyncratic the process is: one judge’s selections are particular to that judge.

    “Judging the work blind is a blessing, so that the identity of the top entrants remained unknown to me until the announcement. I was delighted with the results! The winning poems by Sylvia Adams and by Susan Atkinson were both memorable and incomparable, which is why I recommended, and the CAA accepted, that these poets share first place in the competition.”

    Texts of the winning poetry and short stories will be published in “Byline”, the Branch’s newsletter.

  • Patrick Lane, IN MEMORIAM

    With sadness, JC read today of the death of master poet Patrick Lane.

    JC, writing as A. Garnett Weiss, created a cento for her manuscript which uses lines from individual poems in Lane’s collection of 40 poems, “Winter.”

    She offers the poem here to pay homage to Lane’s legacy and in his memory.

    In that certain darkness decided

    He is the dream man, given to her by the snow;
    a sharp, lean hero, immaculate and alone
    where the weak have no place.

    She knows their flesh is a repetition.
    It is the story about grief and music
    scored with myriad tiny cuts
    so perfect no one will ever know
    to listen to their singing, the voices,
    the shouts, the lamentation after
    their wild impossible crying for more.

    Everything is ready to begin
    that impossible dream of beauty
    because it resembles the unfolding we call love.

    Cento gloss: In that certain darkness decided
    Title: Patrick Lane, “Winter 4”*
    Line 1: Patrick Lane, “Winter 40”
    Line 2: Patrick Lane, “Winter 43”
    Line 3: Patrick Lane, “Winter 32”
    Line 4: Patrick Lane, “Winter 36”
    Line 5: Patrick Lane, “Winter 35”
    Line 6: Patrick Lane, “Winter 8”
    Line 7: Patrick Lane, “Winter 21”
    Line 8: Patrick Lane, “Winter 10”
    Line 9: Patrick Lane, “Winter 42”
    Line 10: Patrick Lane, “Winter 11”
    Line 11: Patrick Lane, “Winter 6”
    Line 12: Patrick Lane, “Winter 22”
    Line 13: Patrick Lane, “Winter 29”