Category: Archive

  • Save Ostrander Point Website Features JC’s Lament

    The Prince Edward County Field Naturalists (PECFN) website now features  JC’s “A voice for the turtle,” her protest poem against the construction of 9 plus 27 industrial wind turbines (each 450 feet high) at the the environmentally fragile south shore of Prince Edward County.

    “It’s a travesty: the Government of Ontario willingly supports the construction of these huge wind farms which will destroy species at risk, including the Blandings turtle, and cause irreversible and serious harm to migratory birds and the delicate alvar terrain. All in the name of the toxic Green Energy Act which subsidizes with Ontario taxpayer’s $’s the production of electricity that cannot be stored, that Ontario cannot use and therefore sells at a loss to the US. It’s madness,” JC declares.

    The poem is part of JC’s Prince Edward County Suite and first appeared as “Spectacle.” Here’s the link:http://www.saveostranderpoint.org/a-voice-for-the-turtle-a-poets-lament-jc-sulzenko/#sthash.7EBRESkU.dpbs

  • Silver Birch Press tells all about JC’s multiple identities

    Today, Silver Birch Press has featured “What’s in my name” by A. Garnett Weiss in its ALL ABOUT MY NAME poetry series.

    Here’s the link to the post:

    What’s in my name by A. Garnett Weiss (All About My Name Poetry Series)

    The poem and additional biographical and explanatory notes reveal choices JC has made to govern how she is called and calls herself.

    “Yes,” she admits, “I have multiple identities that serve my purposes well, professionally and personally.” I enjoy being whoever I am at the time!

  • JC Sulzenko and Carol A. Stephen launch “Breathing Mutable Air, “their collaborative chapbook June 13 at the Small Press Fair, Jack Purcell Community Centre in Ottawa

    Ottawa’s Small Press Fair tomorrow saw the launch of the first collaborative chapbook by JC Sulzenko and Carol A. Stephen.

    Stephen describes “Breathing Mutable Air “in this way: 17 poems, 2 poets and 1 voice. ”

    JC admits it is the first time she has partnered with another poet in writing such poetry together. “This has been a rich experience for me. I believe the poems we wrote together carry a distinct identity, unaffected by what we craft when we write as individuals. I enjoyed the challenge so much. It’s no surprise that I look forward to seeing how the next collaborative work, now underway, will unfold.”

    The Chapbook, published by BC’s Nose in Book Publishing, costs $10.

  • Silver Birch Press Publishes “Solo for a princess” by A. Garnett Weiss

    Silver Birch Press has been running an amazing series with the theme of  “Me as a child.” The quality, depth and variety of poems which have appeared to date bring the series into the realm of  ‘spellbinding’ reading.

    Among the offerings which appear today is Garnett’s “Solo for a princess.” Garnett is honoured to have this poem published in this series. Here’s the link. https://silverbirchpress.wordpress.com/2015/05/23/solo-for-a-princess-by-a-garnett-weiss-me-as-a-child-poetry-series/

  • Death of Nobel Laureate Tomas Transtromer – a cento in homage by A. Garnett Weiss

    When no one was looking

    It happens in this or maybe that way:
    Inside you opens up, vault after vault endlessly.

    I am not empty. I am open
    and grow milder and wilder than here.

    Time streams down from the sun and the moon
    with journeys in its claws.

    While the sleepless days relieved one another,
    I have paid for what I ought to and have receipts for everything
    heavier than life.

    I know the deep. Where one is both prisoner and guard,
    everything living sings, stoops, waves, creeps.

     

    Cento gloss: When no one was looking

    Title: Tomas Transtromer/Don Coles translator, “Epigram”
    Line 1: Tomas Transtromer/Don Coles translator, “Indoors is Endless”
    Line 2: Tomas Transtromer/Don Coles translator, “Romanesque Arches”
    Line 3: Tomas Transtromer/Don Coles translator, “Nightingale in Badeluna”
    Line 4: Tomas Transtromer/Don Coles translator, “Six Winters”
    Line 5: Tomas Transtromer/Don Coles translator, “Vermeer”
    Line 6: Tomas Transtromer/Don Coles translator, “Flyers”
    Line 7: Tomas Transtromer/Don Coles translator, “The Longforgotten Captain”
    Line 8: Tomas Transtromer/Don Coles translator, “Streets in Shanghai”
    Line 9: Tomas Transtromer/Don Coles translator, “Lullaby”
    Line 10: Tomas Transtromer/Don Coles translator, “Yellowjacket”
    Line 11: Tomas Transtromer/Don Coles translator, “Madrigal”

  • A poem by JC Sulzenko appears this spring in a new poetry anthology for children: Book launch on March 29 in Montreal

    JC is delighted that her poem, “City Garden, ” appears in a NEW poetry anthology for children eight to twelve years of age, “Dear Tomato,” which was launched in Montreal on Sunday, March 29. “Dear Tomato: An International Crop of Food and Agriculture Poems” can be ordered NOW through Amazon.ca. Here’s the link: http://www.amazon.ca/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=%22Dear+Tomato%22

    “This collection offers children and families something novel, as its subtitle suggests. I am happy that editor Carol-Ann Hoyte included my poem about a rabbit and a pansy flower in the same back yard. It’s one of my favourites!” JC claims.

    Here’s what’s said about the anthology on the book’s back cover: “Featuring a wide assortment of styles, from haiku to acrostics to free verse, these poems touch on topics that range from lighthearted to seriously thought-provoking. Whether the focus of the poem is a child’s battle over eating peas or a celebration of fair trade, this collection introduces kids to a fresh, new view of where their food comes from… Throughout the anthology, each entry’s words and ideas are brought to life by Norie Wasserman’s stunning black-and-white photographs…”

    And here’s a fine quote from Kenn  Nesbitt, US Children’s Poet laureate (2013-2015): “From farm to market, from garden to table, and from fork to mouth “Dear Tomato” serves up a bumper crop of delicious (and healthful!) poems that are sure to leave you hungry for more.”

    Further information about the anthology can be found at  https://www.createspace.com/4947475

  • “Where I live series” features A. Garnett Weiss poem on March 10

    Here’s the link to Garnett’s “Through My Window,” published on March 10 by Silver Birch Press. http://Silverbirchpress.wordpress.com as part of its series entitled “Where I live.”

    Garnett is delighted that the editor chose a photograph of the Rideau Canal in winter to complement the poem occasioned by Ottawa, Canada, having  the dubious distinction of being the coldest capital in the world on one frigid day in February.

  • The Light Ekphrastic publishes two poems by A. Garnett Weiss today

    How does a piece of poetry inspire an artist? What does a poet take from a work of art? That process is what lies at the core of the on-line journal, The Light Ekphrastic.  Its February issue features two poems by A. Garnett Weiss, linked to two works of art by Isabelle P. Laureta. http://thelightekphrastic.com

    “The selection process is ‘blind’”, says Weiss. “That’s its charm. I submitted a few poems to the Editor and heard that my work had been selected and would be forwarded to the artist with whom the editor linked me. In return, I would receive a number of artworks by that artist.

    “It was left to each of us to select to which piece we would respond. Neither Isabelle nor I knew what the response would be until we saw the journal published.”

    Garnett’s poem, “Woman of Ice, Woman of Glass” inspired Laureto to create the image of a woman that is striking in its use of lush tropical flowers, water, and crystals. In turn, Garnett’s poem “Antigua” riffs off Isabelle’s portrait of a woman floating among Men-of-War jelly fish to address matters of the heart.

    “I have never had the opportunity to work with an artist in this reciprocal way before. I’m hooked and look forward to other such collaborations.”

    Garnett thanked the editor of The Light Ekphrastic and Isabelle Laureta for the experience.

  • February 16 deadline for Awesome Authors and Poets

    Just one more day for poets and short story writers to enter the Ottawa Public Library’s Awesome Authors Contest.

    Don’t miss this chance to have your work read by professional writers and be considered for up to 6 prizes in each age category, 9-11, 12-14, 15 -17. Winning poems and stories will be published by the Friends of the Ottawa Public Library in the 2015 Pot Pourri anthology.

    See the information in the post below for details. I want 500 good poems, please!  And I’m sure my fellow judges Caroline Pignat and Michel Lavoie join me in wishing you each good luck and happy writing!

  • Awesome Poets at JC’s January Workshops for the Ottawa Public Library’s 2015 Awesome Authors Contest

    On January 10 and 16, JC lead workshops for young poets who are thinking about entering the OPL’s 2015 Awesome Authors Contest. The contest, now in its 19th year, closes on February 16 for both online and hard copy submissions.

    Open to writers of poetry and short stories in English and/or French in three age categories (9-11, 12-14 and 15-17), the contest gives an opportunity to talented students in this region to submit their work to judges who are professional writers. Winning entries appear in the annual anthology, Pot Pourri, published by the Friends of the Ottawa Public Library. Winning writers also receive prizes at an awards ceremony held at the end of March.

    “This is a great way for talented young people to move forward with their work. Submitting poems and stories takes courage, but it is worth doing. If you are a writer, you want your work to be read or heard. And, if the writing doesn’t leave your head or stays on your own page, then it’s more in the nature of a journal or diary, which is fine, but not the sharing experience, which this contest offers,” JC suggests.

    JC invited 15-17 year-olds to enter the amazing space where poetry works at the first workshop, billed as “What’s on your mind? Write? Edit? Post?”By reading together some of the winning poems over the history of the Awesome Authors Contest, JC highlighted features that attracted her and which led to the poem securing a place in the winners’ circle.

    Some participants brought poems they had written, which they would not enter into this year’s competition. One past winner looked for insight into why a poem had not placed in the competition in a particular year.

    JC reiterated what she explains at each awards ceremony: “Judging poetry is highly subjective. What one judge would choose might not appeal to another. Plus, how a poem ‘rates’ depends somewhat upon the competition, particularly when there’s a rich field of entries.”

    JC’s approach with 9-12 year-olds departed from “What cereal boxes Say about Writing Poetry,” and focused on factors that make poems stand out from the pack, or the package! Again, the group looked at winning poems from past contest to show how they succeeded.

    “I encourage emerging poets and short story-writers to submit their work in time for the mid-February deadline. I’d like 500 English poetry entries this year. I want to feel swamped and amazed by the creativity and daring of young poets.”

    Information on where and how to enter is available from: http://biblioottawalibrary.ca.