Category: Archive

  • Globe and Mail prints JC’s letter to the Editor: “Dead Birds Cannot Sing,” 17/09/2106

    JC responded to the Partners in Flight report in the Globe on the large decline in bird populations with a scathing indictment of governments that site industrial wind turbines in environmentally sensitive areas on bird migration routes and in habitats of endangered species, such as the Blandings turtle. The Editor included a verse from “Spectacle,” for which is she is grateful. The verses first appeared on this site. Here it is:

    Dead birds cannot sing,

    their melodies lost to winds

    that rouse high towers

    to our great hades of steel

    that churn songs and soft feathers.

    Here’s the link to the edition:

    http://www.theglobeandmail.com/opinion/letters/sept-17-whats-policy-got-to-do-with-the-us-election-plus-other-letters-to-the-editor/article31930945/

  • Next Bookends Review

    Go to Bookends to read JC’s review of Plum Johnson’s 2015 memoire, “They Left Us Everything,” which won the Charles Taylor 2015 Prize for Non-fiction. A review and rating with reservations.

  • New Bookends Review: The County Murders J.D. Carpenter, 2016

    Again, it gives JC a kick to keep her reviews within the same number of words as twitter allows characters per tweet. Focuses the mind. Adds discipline. Makes her not yak on and on with thoughts about a book.

    Go to Bookends to read JC’s review of J.D. Carpenter’s 2016 mystery, “The County Murders.” She gave it 8/10!

  • Bookends Review: “Little Bee” Chris Cleave, 2008

    Go to “Bookends” to read JC Sulzenko’s mini-review of Chris Cleave’s 2008 novel, “Little Bee.” Why does she give this best-seller only a 7/10 rating? See for yourself.

  • A. Garnett Weiss takes 3 of the top prizes in The Bannister 2016 Poetry Contest

    Here’s the link to the Niagara CAA’s website which lists the 2016 winners. Three of Garnett’s centos were awarded top prizes. “Never mind the first unicorn” took 2nd Prize and “We lie down in each other, we lie down alone,” and “The only song I know” gained honourable mentions. “This is the second time my centos have been favoured in this contest. I am grateful to Judge Keith Garebian for favouring my work with these awards,” Garnett confirmed.

    http://canauthorsniagara.org/poetry-contest/

  • Brick Books Celebration of Canadian Poetry Series features JC’s introduction of A. Garnett Weiss who celebrates Al Purdy and Friends

    The day before Canada Day, Brick Book’s website featured JC’s article on A. Garnett Weiss’s use of the cento form to celebrate the writing of poets such as Al Purdy, Lorna Crozier, E. J Pratt, Monty Read, Molly Peacock and Leonard Cohen.

    Here’s the link to the article:  http://www.brickbooks.ca/category/news/celebrate-canadian-poetry/

  • “Ekphrasis at BLIZZMAX” show, co-curated by JC Sulzenko, closes

    This ekphrasis show at BLIZZMAX Gallery in Prince Edward County that JC co-curated with Alice Menacer closes on July 24. Featuring works of art inspired by poetry and poetry inspired by works of art, the show paired nine local artists with  nine local poets.

    “I am thrilled with the feedback received about the show from gallery visitors and the artists and poets who participated. A good number of the works of art sold which is also a measure of the quality of the exhibition. My thanks to Alice and Peter Mennacher for embracing the concept, ” JC noted.

    Ekphrasis at BLIZZMAX included sculpture, multimedia and visual art. A copy of the poem that either gave rise to each artwork or responded to a work of art was sold with each work of art.

    A chapbook with high quality, full-colour reproductions of each work of art and the text of each poem has virtually sold out.

    Here’s the link to the story about the show: http://wellingtontimes.ca/developmentApril16/nine-poets-nine-artists/

  • New Bookends Reviews: Bryson, Boyden, and Scofield

    Finally returning to review some of the readings from the spring. I begin today with the posts under “Bookends” tab of three books in two reviews: See my thoughts on Bill Bryson’s “*A Short History of Everything.” I’m a huge fan of Bryson’s books, and this huge volume didn’t disappoint.

    And then look at how I contrast Joseph Boyden’s book “Extraordinary Canadians Louis Riel and Gabriel Dumont” with  Gregory Scofield’s “Louis: The Heretic Poems.” Both worth a read.

  • Day 30 poem, “Generation, from memory,” the last piece in the month-long poetry challenge

    I accepted the day 29 prompt in NaPoWriMo.net because the Day 30 prompts from that site and from Found Poetry Review were not a good fit. I am pleased to have participated in this month-long writing challenge but, at the same time, feel relieved it’s over. And apologetic that I was a day late once in a while.

    Here’s the prompt: “write a poem based on things you remember. Try to focus on specific details… You could start… every line with “I remember,” and then you could either cut out all the instances of “I remember,” or leave them all in, or leave just a few in….”

    What has emerged is a more personal poem than my other offerings this month. Perhaps that’s fitting for the last in this series, perhaps not. I’ll let the poem be for a while, then may revisit “Generation, from memory.”

    Thanks to Found Poetry Review and NaPoWriMo.net for kick-starting every day in April with great ideas.

    Generation, from memory

    In May, the jubilant pronouncement: “I’m pregnant!”
    Your mother’s words turned an ordinary day into a celebration,
    then draped me in a shawl of worry: Would she be alright? Would you?

    In June, she popped pills to stem the nausea, then slept day-long.
    My gentle words that this would pass so inadequate,
    I offered mint-leaf tea, dry toast, warm blankets and hugs.

    In July, a visit to the midwife, tattooed and pierced, tightened
    the worry around my shoulders. I asked myself could I trust
    her judgment, her experience? Could I trust her with my daughter?

    The rapid thrum/thrum/thrum/thrum of your heartbeat filled the room
    when you were smaller than a lime, still on the tree. At that moment
    I understood the passion, the argument about when life begins.

    In November, my hand on your mother’s stomach—smooth,
    without stretch marks, swollen to watermelon size— I felt
    you kick at me as though you were dancing the can-can.

    In January, on walking home with your mother from the spa,
    sudden cramps stopped us every ten minutes, then every five,
    then every fifteen as she breathed through your false start.

    I packed that evening, took the long ride home, even though
    I wanted so badly to stay, to wait with her it hurt in my gut.
    I gathered the shawl to me but felt its cold through the car window.

    Then a text message: your mother and father were at the hospital,
    your mother resting well with a local anesthetic.
    I sat in the living room, sipped wine, held your grandpa’s hand.

    Waiting, worrying, waiting, worrying, waiting, worrying,
    waiting, worrying, waiting, worrying, waiting, worrying.
    In the silence, the shawl constricted like a straitjacket.

    The phone rang, delivering your mother’s voice.
    She sounded like a child herself.
    “He’s here! It’s a boy. I’m looking at him.”

    I tasted tears as I put down the receiver. I cast off the shawl,
    left early the next morning to greet you before you were a day old.
    Coming into the hospital room alone that first time to hold you,

    light as a feather, I studied your eyelashes and tiny fingernails, traced
    the line of your soft cheek with my arthritic hand. I both believed
    and couldn’t believe the wonder you are, of my flesh, my blood.

    I began singing “Hush little baby, don’t say a word…”
    for the first time in almost thirty years
    and remembered all the words.

     

  • Beth Ayer’s April 29 Impromptu prompt to write a poem from an unintelligible text (in your own language)

    Beth Ayer’s challenge through FPR was as follows: “In the spirit of heading into darkness after all things unseeable and obscure, write a poem using a text that is inexplicable to you. Could be quantum physics, thermodynamics, mathematics, aeronautical engineering – or something else altogether that to you speaks in incomprehensible language. Choose a text or texts and begin selecting words and phrases as they spark associations. Write a poem using the collected words and phrases. Let your imagination fire, and don’t worry about what these terms mean in their original context.”

    I went online and used phrases and words largely unaltered from an article from European Nuclear Society (euronuclear.org.) What Is A Nuclear Reactor? to respond to the prompt on this penultimate day of National Poetry Month.  I certainly didn’t understand the technicalities in the article when I composed the poem below. Comments are welcome.

    This basic difference

    After the separation
    converted their bond,
    transferred power
    for multiple purposes,
    fission released them.

    Before they escaped
    slightly enriched,
    they felt intense deceleration,
    released from the laws of nature,
    the pressure to combine.

    Devices designed in a loop
    fed into the fuel they use:
    The same, reinforced, secondary light.